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Controlling Twister distortions by dragging with your cursor over the markers is the most productive (and fun) way to apply this distortion mode since one click-drag enables you to set two properties at once, both of which have a dramatic effect on the distortion The markers during a Twister distortion are a diamond-shaped center marker and a circularshaped rotation handle Dragging the rotation handle around the center marker causes distortion based on the angle of the guide between the center and rotation markers and the number of times the rotation marker is dragged completely around the center marker You ll also see a dashed blue line connecting the markers, which provide a quick visual reference of the beginning angle of the Twister effect and the current angle of distortion you define Figure 20-13 shows examples of Twister distortions and positions of the markers To copy a distortion to a new object, select an object, click the Copy Distortion Properties button in the Property Bar, and use the cursor to target an existing distortion

The DVD Forum, formerly the DVD Consortium, is an industry group with members from various hardware manufacturers, software developers, and other parts of the industry Their mission is to create an open forum for the discussion of ideas, advancing of capabilities, and resolution of any issues that might impede the growth of the DVD industry Their site (wwwdvdforumorg) offers information and insights into many of the speci cations and current industry plans for expansion into new areas There are also numerous links to DVD-related topics DVD Forum

FIGURE 20-13

The Property Bar Preset options for Distortion effects give you the power to apply, save, and delete saved distortions, as shown here:

Ill 20-23

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When the Distort Tool is the current tool selected, choosing a Preset from the list immediately applies a new Distortion effect to a selected object If you ve created a really awesome Distortion effect and you want to save the effect while the distorted shape in your document is selected, you can add it as a new Distortion Preset by clicking the Add button The Delete button permanently removes a selected Distortion Preset from the list; therefore, think twice about ever clicking this button Between Distortion and Envelope effects covered in this chapter, you should be well on your way to massaging an object or object group from something close to what you like to exactly what you like and need Remember, these are dynamic effects and as such, you don t permanently change that shape you ve worked for hours on And if you need to exchange data with a client or coworker who doesn t own CorelDRAW:

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Take pity on them Convert a copy of your effects work to curves (CTRL+Q), and then export the distorted or enveloped object to any number of file formats CorelDRAW supports Effects are proprietary to CorelDRAW, but vector information can be used in other vector design programs and modeling programs or exported as typefaces you name it

Providing resources for professionals involved in the tools and technologies of digital video, the Digital Video Professional s Association (DVPA) offers many bene ts to members, including reduced costs for reference materials and access to breaking news on digital video topics Digital Video Professional s Association

Blends and Contours are the topic of the next chapter, each with their own use, and you can actually take what you know now about Distortions and apply a Contour to a distorted object Will it look weird Yep, and interesting Just think of it as building on your knowledge!

lthough they re different effects, blends and contours share the common property of creating many shapes based on a control shape; the additional shapes are dynamically linked to the control object, and the in-between objects will vary in size, color, and outline shape depending on how you set up the effect Blends and contours are a boon to the designer who wants to add shading to flat color fills in a way that fountain fills do not Additionally, blend objects can be used to illustrate the transition between two objects of similar or completely dissimilar shape This chapter takes you through the use of blends and contours so you can add these effects to your bag of illustration tricks and create outstanding, intriguing work