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D T N ing world These were people who weren t just doing it well, but were doing it extraordinarily well, exceptionally well, and I was their student, absorbing every bit of advice and every bit of inner wisdom that anyone would share with me I called speakers and authors and interviewed them over the telephone, but there were also those whom I studied from afar I said earlier that you should gravitate not only toward like-minded people, but also toward people greater than yourself, people who are more successful than you are at this moment What I mean by this is that you should start studying the people who are living their dream people who are applying their extraordinary inner wisdom and unshakable faith to what they do Seek out people who you think are living their higher truth and greatest potential Then make a connection Read about them, watch their videotapes and CDs, find out what their personal philosophies are and how they practice those philosophies, investigate how they overcame adversity, and look for what drives them toward a greater purpose Meeting these dynamic speakers and authors in person was never my goal the goal was to gravitate toward them in whatever way I could because they were doing what I hoped one day to do for a living If I got lucky and met someone along the way, that was icing on the cake But typically, that wasn t the case For example, when I found out that Stephen King had written a book on how to become a successful author, I bought it I d never read even one Stephen King novel, but I had always been impressed with the way he got his career as a writer going and the solid relationships he had built within both the publishing world and the entertainment industry I set out to gravitate toward Stephen King, but I ve never met him and probably never will Did he influence me to want to write a novel and a screenplay one day Yes His book On Writing is one of the finest, if not the finest, no-nonsense, practical books on how to become a successful writer that I have ever read As writers go, I consider Stephen King greater and more successful than myself So, Mr King, if you re reading this, I ve added you to my life board of directors.

Amplitude can be set from 200 to 200 percent But a little goes a long way!

Figure 2 - 5

CHAPTER 20:

Zipper mode distorts the paths in your object to resemble a zigzag or stitching pattern Here, amplitude can be set between 0 and 100 percent and can be used together with a frequency value and options for Random, Smooth, or Local distortion, as shown here:

Ill 20-14

Before getting into the architecture, let s compare the characteristics of CD-ROM and hard disk data storage The rst major difference between hard disk drives and CD-ROM drives involves the rotation of the media The magnetic disks that contain the data on a hard disk drive spin up to a predetermined speed and they maintain that same speed through disk operation Tracks are circular and they extend from an area of densely packed data, near the center of the disk, to less densely packed data, near the outer edge of the disk Each track contains an identical number of sectors that act as addressable units for locating les and portions of les The regularity of the arrangement of tracks and sectors and the constancy of the rotation speed allows the controller logic that positions the hard disk read-write head to predict when and where data can be found on a given track within a particular sector Once it is given the track and sector address of a particular piece of data, the head can be swung into position and can begin reading that data very quickly The term Constant Angular Velocity is applied to this technique and you may encounter the acronym CAV as the shorthand reference to it CAV is largely responsible for the superior data-access rates associated with hard disk drives, which

Interactive markers involve an outer marker controlling the amplitude and a slider controlling frequency, which enables you to set the number of zigzags within a given distance Both can be set within a range of 0 to 100 percent You can see the dramatic effects of various amplitude and frequency values while applying a Zipper distortion in the next illustration When beginning to work with the Distortion effects, you might prefer to use only the Property Bar to define an effect, but as you grow more comfortable with Distortion you ll surely want hands-on control by dragging the control handles directly with your cursor

Ill 20-15

One of the strategies that you, too, can implement that will help you to magnify your soul, your gifts, and your higher purpose is to create what I call a life board of directors Think about it Companies large and small spend a good deal of time and money courting just the right people and inviting those people to become mem-

20

Distort effect interactive controls Start direction handle Amplitude: 29 Frequency: 19 Slider controls frequency

Amplitude: 38 Frequency: 35

Amplitude: 47 Frequency: 55

.

After the effect has been created, you can slant the zipper line by dragging the Start direction handle vertically, left or right, as shown here:

Ill 20-16