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When a blend is applied, the blend group is built of a series of intermediate objects between the control objects When you use two completely different shapes as control objects, the chances are that they won t have the same number of nodes connecting path segments; additionally, the position on the page of the first node you draw is usually arbitrary, depending on your style of drawing By default, CorelDRAW blends two different objects using node mapping: the Blend effect makes an assumption that the blend should start with the first node on the Start object, and end at the first node on the End object, and that all objects in the blend itself make the transition based on the same node position on the page as the Start and End control objects Occasionally you might get a blend that looks like a parade of crumpled sheets of paper, or something similarly nasty it s interesting, but not what you had in mind! Fortunately, you can match the nodes of your control objects in a few clicks To map the nodes in a blend, click the Miscellaneous Blend Options button and click the Map Nodes button The cursor becomes a targeting cursor, your signal to click the nodes you want matched Node mapping is a two-step operation: click on a node on the Start blend control object (the operation temporarily increases the size of the nodes so it s easy to tell what the targeting cursor wants you to do), and then click on the corresponding node on the End blend control object (see Figure 21-14)

Thin servers offer access to various network devices, including CDs and DVDs, in a seamless and thorough manner The following companies offer products in this area

CHAPTER 21:

FIGURE 21-14

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The blend is confused; you need to remove the kinks by node mapping the control objects to make a smoother blend transition

Making a blend travel along a path can produce anything from kaleidoscopic patterns, to numbers on a clock, to a handsomely illustrated directions map Blend paths can be set to evenly space a number of objects along a path; with a little skill, you can even adjust the acceleration of the objects along the path, thus adding a little random quality to this effect Blend objects on a path can also be rotated, offset from the path, and set to fill the full path or only part of the path There is a down and dirty way to create a Blend effect while simultaneously directing the blend along a path: with two objects on the page, you choose the Interactive Blend Tool, and then while holding ALT, click-drag a path from one Path Properties button object to the other The only real disadvantage to using this technique is that the path you define probably won t show the steadiness of a path drawn, for example, with the B zier Pen Tool, and the blend along the path might look a little shaky The following tutorial takes you through the more studied and precise approach to binding a blend to a path, using the Path Properties pop-up, shown here: